A Large Medmaeian Bust of Medusa, Greek Magna Graecia, Medma, Archaic Period, circa. 600 B.C.E.

This imposing antifix features the face of Medusa, the fearsome Gorgon of Greek mythology, crafted during the Archaic Period around 600 B.C.E. in Medma, a prominent city of Magna Graecia (Southern Italy). The Gorgoneion, Medusa's head, is rendered in stunning detail with exaggerated, grotesque features designed to terrify and repel malevolent forces. Her wide eyes, snarling mouth, and protruding tongue give her a menacing expression, while her wild serpent-like hair writhes around her face in intricate patterns.

The bust is made from molded terracotta, a material commonly used for architectural elements in the ancient world due to its durability and ability to capture fine details. Such antifixes were mounted along the rooflines of significant structures, such as temples or public buildings, serving both a decorative and spiritual purpose. The Gorgoneion acted as an apotropaic symbol, meaning it was believed to ward off evil, much like other protective symbols found across ancient cultures.

This artifact showcases the skill of early Greek artisans in Magna Graecia, who combined mythology, artistry, and architecture to create pieces that were not only visually striking but also functioned as spiritual guardians.

D. 27 cm

This piece belongs to the Archaic Period of Greek art, circa 600 B.C.E., a time when the Gorgoneion motif became widespread.

During this period, Greek settlers in Magna Graecia created art that blended their traditional styles with local influences, producing unique works like this imposing antifix.

The Archaic Period is characterized by its focus on mythical subjects, where gods, heroes, and monsters were depicted to inspire reverence, awe, and protection.

Molded Terracotta: A versatile and durable material widely used in ancient Greece for architectural decoration. It allowed artisans to produce detailed, molded forms suitable for roofing elements like antifixes.

The Private Collection of the Baidun Family
Mahmoud Baidun (1920-1980) founded what would become Khader M Badiun and Sons Galleries in Jerusalem, Israel. As a young boy, Mahmoud would accompany archeologists, biblical scholars, and visiting delegations on excavation sites all over Jerusalem and other sites within the country. Earning the trust of scholars and archeologists alike, Mahmoud became an indispensable presence and guide to other visiting scholars. When Mr. Baidun entered the antiquities trade, he would be granted trade license under the British Mandate and from the Hashemite Kingdom. When Israel authorized the trade of antiquities, Mahmoud was issued one of the first antiquities licenses issued in the country. He would later forge close relationships with other merchants; slowly building a massive private collection that would go on to sell to political leaders, international museums, and private collectors globally.